He was the pioneer of a new comedy French, modern, fast, scathing, like the great American comic from Jerry Seinfeld to Eddie Murphy. Jamel Debbouze found his disciples and the world of the French one-man show moves on its bases. Since the summer, on Canal , 20 young aliens of all colors black, white, yellow burst codes of laughter of their traits of mind pests, turning into a joke more hot events of our society. They have names Fabrice Eboué, Patson, Thomas Ngijol, Noom, Amell, Claudia, Frédéric Chau, le comte de Bouderbala (sic), Dedo, Yacine, Ben... They form the Jamel Comedy Club. And highlights of their cathodic success, a dozen of them occur until the end of the year at the theatre for ten hours in Paris.
This is the need to go see them. Because it is on scene in "full contact" with the public, that their show is its potential. Call it the "stand up". Instead of a succession of sketches, a life which tells sliced, reflections on the news, repeatedly interrupted for interrupting the Viewer: the laggard, the girl who laughs too hard, the gentleman who yawns, the guy who does not want to remove his Cap... even one that does nothing. It is no point in curl you your seat: our comic will find you. No panic: it is always funny and without malice.

In fact, our aliens did not arrive in flying saucers in Jamel. Some such as Fabrice Eboué, Thomas Ngijol and Patson practice their art for a long time in small rooms dedicated to hip-hop culture (music, Theatre). These three - there, which were a step ahead of their classmates, occur in solo for more than an hour, while others speak for five minutes in a same show. The desire of transmission of Jamel has been filled by the emergence of this new stage. With his colleague Kader Aoun (Entertainment Director), he had to pick up these new talents, offering a unique opportunity to flourish in broad daylight, with the label "jamel comedy Club". The admiration is visibly reciprocal between Jamel and his followers cleared on stage in the presence of the master: Fabrice Eboué who plays Mr. Loyal, the most radical, politically incorrect and probably the most hilarious of the band.
Funny and engaging
All are not at the same level, but all are funny and endearing. There is an incredible grace behind the false Noom timidity; an irresistible energy for Claudia (great when it camped the switchboard of the 118, delocalized in Africa); an obvious class Amell, ironic and tender with his family; a charism and a rare elegance in the well appointed comte de Bouderbala . Remembering the slaughter of Patson, who shakes all the coconut trees in Africa; and humorous deadpan, in turn enormous and subtle, of Thomas Ngijol.
The Jamel Comedy Club does nothing, no taboo... Mocks whites, blacks, Arabs, Chinese, of homosexuals, and Uptown, policies, the Bobo and commuters and doing lambasted all intolerances.
Evocation nourished the life in the cities has the merit of drain of new audiences, which previously had never come to the theatre. And it is a very mixed audience, where the young framework alongside the "bogoss" in survêt, serenity in laughter. Want to avoid at all costs our artists, is the ghetto the label "humour of the suburbs" then their comic casts much more pins wide, today's world, urban and chaotic, in all its components.
The adventure has only just begun. It spoke of a new series on Canal television, but, especially, promises to be an extensive tour in France, with as high a great show with Jamel at the Casino de Paris to February-March. After that, each of our aliens find his planet and cultivate his garden. If each succeeds its move, may not be bored on the Trestles of France in the coming years.