Aznavour and Perret derive the alarm in 1998

It is a place of exception that the Mayor of Paris came to inaugurate on October 13, near Montparnasse: City reserved for artists since 1902, the hive housed in his time of artists such as Modigliani, Soutine, Brancusi, Léger, Chagall... Nestled in a polygonal building Eiffel designed the frame rehabilitated by the city with the help of the foundation of the heritage and the Total Foundation, it is again home to 60 workshops. A few weeks earlier, it is room ballroom of the twenties, became the largest France PMU until 1992, which was near the place de Clichy, transformed by the friends of Magnum in documentary photo gallery.

Parisians love these loaded places of history that local politicians, often with the help of private or patrons, undertake to rehabilitate. For the first magistrate, Bertrand Delanoë, regain these nuggets wounded by time or unfortunate transformations, is an opportunity to increase the cultural influence of the capital, while strengthening peripheral neighbourhoods proximity equipment or badly off. "There are two pitfalls to avoid: not succumbing to nostalgia, because Paris is a treasure city which should not become a Museum, which means to make these places of modern spaces." "And be inventive, because budget, it is heavy," said Christophe Girard, Deputy Mayor of Paris responsible for culture. As all these sites have taken the delay and seen their invoice to lie. Guided tour of three mythical rooms, disfigured by economic failures, but who know, or are about to hear a new youth...

The Trois Baudets: the springboard of the emerging French song

Created in 1947 to Pigalle by Jacques Canetti, this "incubator of talent" will be revealed on its small stage and 15 square metres Brel, Brassens, Francis Blanche, Pierre Dac, Raymond Devos or Pierre Perret, Michel Legrand and Gainsbourg... until its closure in 1967. Converted into erotic cabaret room tries to reconnect in the 1980s with his musical past, before sinking into nothingness. Aznavour and Perret derive the alarm in 1998. They are heard by the candidate Delanoë. The rehabilitation of this legendary place becomes a promise to campaign in 2001. The work, estimated at EUR 7.5 million, began in June 2006. Objective: recreating a space for the promotion of emerging French song. A delegation of public service is attributed to Julien Bassouls, a professional who accompanied the first steps of Sanseverino or La Grande Sophie Louise attack.

In February 2009, the reopening of the Trois Baudets, now equipped with a studio recording and a restaurant, is a small event. Many artists demonstrate their commitment by pushing the ditty as Guy Béart. However, a year and a half later, the economic model is sought. "In a highly competitive context, produce the beginnings of an artist is not cost effective." "It is a cultural Act, of the order of militancy," said Julien Bassouls. The delay of 11 months by the site and the budget exceeded that he had to take his dependants temporarily have settled nothing. To preserve the tranquility of the neighbours and ensure good acoustic insulation, "a box in the box" had to be created. Without sufficient means, the planned light sign initially to was replaced by a version of iron forged, too discrete foil of the neighbourhood and the restaurant, very visible, has been dormant. After a record 2009 deficit, penalized also by a few errors management, 2010 verges balance. Every night between 10 and 20 professionals come to listen to the promising shoots. But the public is not as hard. Is it programmed a few Decliners to support attendance Julien Bassouls did not, is preferring to reduce wing and not excluding to open the capital of his company. Confirmed artists came to their support, the national Centre of varieties granted assistance, while Paul Beuscher loaned equipment.

The Gaîté lyrique: a "mix" between current music and digital arts

The old Italian theater built next to the Conservatory of arts and crafts in 1861, where Jacques Offenbach gave his most famous operettas, that remain classified historical parts: the facade, the home, and the entry. The rest has been redesigned by architect Manuelle Gautrand, to give life to a "new type of institution", explains Laurence Engel, Director of cultural to the Mairie de Paris, with over 11,000 square meters rooms for exhibitions, conferences, concerts (from 130 to 300 seats), a theatre of the media, a media library, a centre

It is a place of exception that the Mayor of Paris came to inaugurate on October 13, near Montparnasse: City reserved for artists since 1902, the hive housed in his time of artists such as Modigliani, Soutine, Brancusi, Léger, Chagall... Nestled in a polygonal building Eiffel designed the frame rehabilitated by the city with the help of the foundation of the heritage and the Total Foundation, it is again home to 60 workshops. A few weeks earlier, it is room ballroom of the twenties, became the largest France PMU until 1992, which was near the place de Clichy, transformed by the friends of Magnum in documentary photo gallery.

Parisians love these loaded places of history that local politicians, often with the help of private or patrons, undertake to rehabilitate. For the first magistrate, Bertrand Delanoë, regain these nuggets wounded by time or unfortunate transformations, is an opportunity to increase the cultural influence of the capital, while strengthening peripheral neighbourhoods proximity equipment or badly off. "There are two pitfalls to avoid: not succumbing to nostalgia, because Paris is a treasure city which should not become a Museum, which means to make these places of modern spaces." "And be inventive, because budget, it is heavy," said Christophe Girard, Deputy Mayor of Paris responsible for culture. As all these sites have taken the delay and seen their invoice to lie. Guided tour of three mythical rooms, disfigured by economic failures, but who know, or are about to hear a new youth...

The Trois Baudets: the springboard of the emerging French song

Created in 1947 to Pigalle by Jacques Canetti, this "incubator of talent" will be revealed on its small stage and 15 square metres Brel, Brassens, Francis Blanche, Pierre Dac, Raymond Devos or Pierre Perret, Michel Legrand and Gainsbourg... until its closure in 1967. Converted into erotic cabaret room tries to reconnect in the 1980s with his musical past, before sinking into nothingness. Aznavour and Perret derive the alarm in 1998. They are heard by the candidate Delanoë. The rehabilitation of this legendary place becomes a promise to campaign in 2001. The work, estimated at EUR 7.5 million, began in June 2006. Objective: recreating a space for the promotion of emerging French song. A delegation of public service is attributed to Julien Bassouls, a professional who accompanied the first steps of Sanseverino or La Grande Sophie Louise attack.

In February 2009, the reopening of the Trois Baudets, now equipped with a studio recording and a restaurant, is a small event. Many artists demonstrate their commitment by pushing the ditty as Guy Béart. However, a year and a half later, the economic model is sought. "In a highly competitive context, produce the beginnings of an artist is not cost effective." "It is a cultural Act, of the order of militancy," said Julien Bassouls. The delay of 11 months by the site and the budget exceeded that he had to take his dependants temporarily have settled nothing. To preserve the tranquility of the neighbours and ensure good acoustic insulation, "a box in the box" had to be created. Without sufficient means, the planned light sign initially to was replaced by a version of iron forged, too discrete foil of the neighbourhood and the restaurant, very visible, has been dormant. After a record 2009 deficit, penalized also by a few errors management, 2010 verges balance. Every night between 10 and 20 professionals come to listen to the promising shoots. But the public is not as hard. Is it programmed a few Decliners to support attendance Julien Bassouls did not, is preferring to reduce wing and not excluding to open the capital of his company. Confirmed artists came to their support, the national Centre of varieties granted assistance, while Paul Beuscher loaned equipment.

The Gaîté lyrique: a "mix" between current music and digital arts

The old Italian theater built next to the Conservatory of arts and crafts in 1861, where Jacques Offenbach gave his most famous operettas, that remain classified historical parts: the facade, the home, and the entry. The rest has been redesigned by architect Manuelle Gautrand, to give life to a "new type of institution", explains Laurence Engel, Director of cultural to the Mairie de Paris, with over 11,000 square meters rooms for exhibitions, conferences, concerts (from 130 to 300 seats), a theatre of the media, a media library, a centre